Parallel to painting, he began working with ceramics in 1998. It is his conviction that with ceramics he realises the idea of not only being inside the material but of working within a concept that unites the four natural elements: water, air, fire and earth, to give shape to a sculpture that is created from the missing part. By removing matter, he creates a space and the void that remains modifies the structure. In his recent ‘Sculpted Paintings’, the solidity of sculpture is combined with the liquidity of painting, without interruptions or compositional fractures.